The Coco Pinchard Box Set by Robert Bryndza @RobertBryndza @CocoPinchard @BOTBSPublicity #Extract

Today I am delighted to be sharing an extract with you all from The Not So Secret Emails of Coco Pinchard, it is one books in The Coco Pinchard Box Set by Robert Bryndza. I would have loved to have the time to read one of these for the Blog Tour by Sarah at Book On The Brightside Publicity. I do admit to having a couple of these on my kindle and while the blog tour in on Robert has a special deal where you can own the whole digital box set for only 99p… so yes I have also bought that as well 🙂 

Synopsis:

For the first time, all 5books in Robert Bryndza’s bestselling Coco Pinchard romantic comedy series are available in one! And this box set includes a new introduction by the author.

Book 1: The Not So Secret Emails of Coco Pinchard

If you enjoyed flipping through Bridget Jones’s diary, you’ll love perusingCoco Pinchard’s emails! Coco confides in her quirky, supportive friends as she deals with her life falling apart. Read the emails that tell the heartwarming and often hilarious tale of Coco picking up the pieces, in this fun, feel-good romantic Comedy. 

Book 2: Coco Pinchard’s Big Fat Tipsy Wedding

Coco thinks she’s on the road to happily ever after with Adam until he inexplicably breaks up with her. Will one mistake cost them their whole future? Coco sets out to discover what has really happened and uncovers a shocking secret Adam has been hiding from her… Full of hilarious twists and turns, Coco Pinchard’s Big Fat Tipsy Wedding is a witty, heart-warming, romantic comedy – the stand-alone sequel to no.1bestselling, The Not So Secret Emails of Coco Pinchard. 

Book 3: Coco Pinchard, the Consequences of Love and Sex


Coco Pinchard has a great life, a bestselling memoir, and a handsome second husband. Things are going exactly as planned — until her adult son runs into disaster, her ex’s mother butts back into her life, and she finds out she’s pregnant! Maybe life is more fun if you throw your plans out the window… The third book in Robert Bryndza’s bestselling Coco Pinchard series (which can also be enjoyed as a stand-alone story) is a hilarious diary with Coco’s trademark wit and honesty, tracing the raging hormones and extraordinary twists that take her to motherhood for the second time. 

Book 4: A Very Coco Christmas

It’s 1985, and eighteen-year-old Coco Pinchard is home for Christmas after her first term at University. She’s fallen hopelessly in love with Daniel Pinchard, but Coco’s mother wants her to be with Kenneth, the son of posh friends Adrian and Yvonne Rosebury, who will be joining them for Christmas.

As snow falls softly over the city, and Coco tries to juggle a series of hilarious events, the stage is set for a Christmas lunch like no other. Avery Coco Christmas is a delicious, stand-alone prequel short story to Robert Bryndza’s smash-hit Coco Pinchard series.

Book 5: Coco Pinchard’s Must-Have Toy Story

A sparkling feel-good comedy, which asks the question – how far would you go to get your child the must-have Christmas toy? 

It’s December 1992, and children are going crazy for the Tracy Island toy -almost as crazy as the parents! Christmas day is fast approaching and CocoPinchard is desperately trying to track one down for her four-year-old sonRosencrantz. 

From dodgy dealings in a motorway lay-by to extreme shopping in Hamley’s with a Sylvanian Families fanatic to having a go at the Blue Peter make-your-own Tracy Island, Coco tries everything in the hope that four-year-old Rosencrantz will open his must-have toy on Christmas morning.

The Extract:

We got to Whitechapel at eight this morning. There is nothing more depressing than a shabby Victorian-era hospital on a cold grey day.

When we arrived at Intensive Care and saw Ethel, I knew that we were making the right decision. She was dressed in a fresh gown. A nurse had just finished bathing her. He was a nice chap but he had very bony fingers. Ethel hates bony fingers, they give her the creeps.

The fluorescent light fizzed and the rhythmic sound of the ventilator sucked air in and out of her lungs. Her fringe had been combed off her forehead, which she would have hated, and without her teeth, her scowl was sunken and diminished.

“I think we should all like say something, before we do this,” said Rosencrantz.

We took it in turns. Rosencrantz went first and told her he loved her. He said that he would endeavour to sleep with Rupert Everett, like he promised her he would.

“I always thought you would live like long enough for me to like tell you all about it,” he said.

There were raised eyebrows from everyone. Tony went next, and promised her coffin would be of the best quality.

“We’ve got a marvellous selection in at the moment, cherry, maple, oak, all with lovely brass features. Goodbye.”

Meryl went next. She was crying so much she could barely speak, so she just kissed Ethel on the cheek. Then it was my turn.

“Ethel,” I said, “goodbye. I know we have had our differences but I hate that this has happened to you… and in case you can hear, they asked me to press the switch. I didn’t volunteer.”

I took her comb and combed her fringe back over her forehead, just how she always wore it.

Daniel went last, and if I’m honest, he did go on a bit, giving a long lament that she will never get to see him realise his full potential. I half expected Ethel to open one eye and croak, “Pull yerself together, yer big girl’s blouse.”

The consultant was getting twitchy, as this had gone on for some time. He gave me a nod, and I walked over to switch off the life support. I was confronted by a confusing array of plugs. The hospital hadn’t said exactly what I had to do, and I didn’t feel like I could ask. I took a deep breath and pressed a switch. A pedestal fan by the bed sprang to life and swirled all Ethel’s get well cards off the bedside cabinet. The second switch turned on the television and the opening credits of This Morning boomed out.

“Excuse me,” said Meryl to the consultant, as if she were lost in Sainsbury’s, “could you direct my sister-in-law to the correct switch?”

I felt an inappropriate laugh rise up in my chest, which burst out. They all exchanged scandalised glances.

Apologising, I took a deep breath and pressed the correct switch. The ventilator filled her lungs one last time and slowly wheezed to a stop.

“Her chest is still rising!” cried Rosencrantz.

“This is sometimes normal,” said the consultant kindly. “Many patients do carry on breathing for a few minutes.”

“So right now she’s like dying?” said Rosencrantz.

We all looked at Ethel. She had a serene scowl on her face. Meryl gave a deep sob so Tony and me took her out, and Rosencrantz and Daniel followed. We had no interest in seeing what little colour Ethel had left drain from her face.

We went down to the cafeteria, ordered coffee, and sat staring into space. I don’t know how long we had been there when the consultant appeared at our table.

“It seems Mrs Pinchard is breathing unaided, and with a stronger pulse,” he said. “Now, this is an awkward crucial time, it could go either way, but she has shown stronger life signs in the last hour. Much stronger than we’d expected.”

We are still at the hospital. Ethel has now been breathing unaided for four hours. Meryl is in on the phone trying to get in touch with the Steakhouse we had booked for a memorial lunch. Tony had put down a deposit of fifty pounds. He is pacing up and down saying, “I know this is an emotional time, but fifty pounds is fifty pounds.”

Robert Bryndza 2012

About the Author:

author

 

Robert Bryndza is the author of the international #1 bestseller The Girl in the Ice, which is the first in his Detective Erika Foster series. It has sold over one million copies. The Night Stalker, Dark Water, Last Breath, and Cold Blood are the second, third, fourth and fifth books in the series. The sixth book, Deadly Secrets, has just been published.

Robert’s books have sold over 2.5 million copies and have been translated into 28 languages.

In addition to writing crime fiction, Robert has published a bestselling series of romantic comedy novels. He is British and lives in Slovakia.

You can find out more about the author at Website and on Twitter and Instagram @RobertBryndza

Sign up to Robert Bryndza’s New Release Mailing List here: HERE

Links:-  Facebook –  Goodreads –  Twitter –  Instagram –  Website

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Thalidomide Kid by Kate Rigby @rararesources #Excerpt #Giveaway

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Today I am delighted to be sharing an extract from Thalidomide Kid by Kate Rigby as part of the Blog Blitz with Rachel at Rachel’s Random Resources.

Synopsis:

Daryl Wainwright is the quirky youngest child of a large family of petty thieves and criminals who calls himself ‘Thalidomide Kid’.

Celia Burkett is the new girl at the local primary school, and the daughter of the deputy head at the local comprehensive where she is bound the following September. With few friends, Celia soon becomes fascinated by ‘the boy with no arms’.

The story of a blossoming romance and sexual awakening between a lonely girl and a disabled boy, and their struggle against adversity and prejudice as they pass from primary to secondary school in 1970s Cirencester. The story deals with themes and issues that are timeless.

Purchase Links – Amazon UKAmazon ComPaperback from Amazon UK

Read the Excerpt:

Excerpt 4 – Celia is invited to Daryl’s house for dinner

“Oh what a bloody morning I’ve had, Daryl,” his mother said, slipping off the voluminous coat. She looked at Celia. “Are you staying for some dinner?”

Celia looked to Daryl for the answer.

“Yeah, Mum, she is. This is Celia, my friend from school.”

“You can tell me what you think of my new lipsticks, Celia,” she said through the hatch as she unpacked her shopping in the kitchen. “Run up to the garage, Daryl, and see if Vince wants any dinner, can you? Tell him it’s chops.”

While Daryl was away, Celia sat still in the sitting room, Mrs Wainwright flitting in every so often to pull out the leaf on the imitation-wood table or la-la along in a cracked voice to pop songs on the tranny. Celia couldn’t imagine her mum doing that, or wearing a bright pink jumper of the shade Mrs Wainwright had on, or with her hair dyed blonde in that short straight style, fringe in her eyes.

“You’re quiet,” Mrs Wainwright said the next time she shuffled in with some cork-bottomed place mats and cutlery. “Mind you, you’d need to be around my Daryl. He can’t half gas on.”

“Would you like any help, Mrs Wainwright?”

Daryl’s mum stopped then, her hands clasped together, her head to one side. “Well, ain’t that nice. Not many that comes round here has the manners of a lady. No, you sit yourself there and look at the lipsticks.”

Unsure how to act or which lipstick she should prefer, Celia found herself wishing Daryl would hurry on back. Mrs Wainwright carried on in the kitchen, calling through every so often about magazines Celia might like to read while waiting for dinner.

When Daryl came back it was with Vince, dressed in oily clothes. “Smells good,” Vince said, before plonking himself down at the small dining-table over a newspaper, his long legs taking up most of the space underneath. Daryl sat down opposite him and spun his fork round and round. “Come on, Celia. You sit down there.”

When his mum came through, it was with dinners that other people have, on plates that other people own; shiny, oval plates covered with potatoes, peeled and pale as eggs, and carrots small and all the same shape and straight from the tin, same as the peas, and gravy rich and gloppy over the chops. Celia tucked in, enjoying it for its novelty.

“You’re the head’s girl, ain’t you?” Vince said, his voice gruff and scary as the chunky chains round his neck and wrist.

Mrs Wainwright glanced up from her dinner. “You never said, my love.”

Celia pronged another egg-potato onto her fork. “He’s the deputy head. Miss Bond’s the head.”

“All the same in my book,” Vince said. “I hate teachers. Burn the pissin’ lot, I say.” He pointed his knife at Celia. “You know, like that rhyme; build a bonfire, put the teachers on the top.”

Celia fell into a silent discomfort by the attack on her father’s profession.

Vince then pointed his knife at Daryl. “Listen to what I say, kidder. Them runts at that school have always had it in for us. That’s why Mum had to fight to get you in there. You don’t want nothing to do with no fuckin’ teacher’s kid.”

Suddenly Daryl shot to his feet as though he’d sat on a pin. “Shut up, Vince! Shurrup! She’s my friend so leave her alone!”

Daryl stomped out then. Celia heard his door slam upstairs but she was rooted to the table by good manners and the proper thing to do. You didn’t get up from table if you were a guest in someone’s house, even if that house was the Wainwright house. Vince scowled on while Mrs Wainwright waved away the occurrence.

“Oh he’ll cool off in a while,” she said, clearing away the plates, including Daryl’s half-finished one. “D’you want some pears and cream, Celia?”

Afterwards, Vince grabbed his jacket and disappeared while Celia offered to help Mrs Wainwright with the dishes.

“Don’t you be worrying about Vince, Celia. His bark’s worse than his bite.” Mrs Wainwright squirted a good helping of Fairy Liquid into the washing-up bowl. “I could brain him sometimes, I really could, but he’s only protecting his brother, you know, coz his dad ain’t here. He don’t mean nothing by it.”

She started attacking the plates with a very grey-looking mop. “It’s tough for my Daryl, see, coz of his handicap, you know.”

Celia smiled and wiped the oval plates and melamine cups and pulled on drawers with false fronts that didn’t open, while Mrs Wainwright chattered on about Daryl, her cigarette smouldering in the ashtray. “He’s more or less grown out of his fits as I called ’em. They weren’t real fits, but he used to go bright pink and hold his breath and bang his head against the sideboard. He was mad at himself, see.”

Mrs Wainwright dabbed her hands dry on a tea cloth, picked up her cigarette and took down another framed photo from the sideboard which Celia at first thought was Daryl.

“This is Martin.” Mrs Wainwright handed the picture to Celia. “He’s a good-looking boy, isn’t he? Always had the girls after him at school.” She puffed on her cigarette. “The fact is that Daryl could have been the school heart-throb too, but for his arms.”

Celia tried to say something but the words dried up on her lips. She wanted to say how much she liked Daryl and his arms but this was the first time she’d met Mrs Wainwright and she wasn’t sure this was the sort of thing she should be saying. In any case, the cuckoo clock in the kitchen struck two o’clock, reminding her how late it was getting. “I should be going, Mrs Wainwright. Thanks very much for having me.”

About the Author:

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Kate Rigby was born near Liverpool and now lives in the south west of England. She’s been writing for nearly forty years. She has been traditionally published, small press published and indie published.

She realized her unhip credentials were mounting so she decided to write about it. Little Guide to Unhip was first published in 2010 and has since been updated.

However she’s not completely unhip. Her punk novel, Fall Of The Flamingo Circus was published by Allison & Busby (1990) and by Villard (American hardback 1990). Skrev Press published her novels Seaview Terrace (2003) Sucka!(2004) and Break Point (2006) and other shorter work has appeared in Skrev’s magazines.

Thalidomide Kid was published by Bewrite Books (2007).

Her novel Savage To Savvy was an Amazon Breakthrough Novel Award (ABNA) Quarter-Finalist in 2012.

She has had other short stories published and shortlisted including Hard Workers and Headboards, first published in The Diva Book of Short Stories, in an erotic anthology published by Pfoxmoor Publishing and more recently in an anthology of Awkward Sexcapades by Beating Windward Press.

She also received a Southern Arts bursary for her novel Where A Shadow Played (now re-Kindled as Did You Whisper Back?).

She has re-Kindled her backlist and is gradually getting her titles (back) into paperback

More information can be found at her WebsiteBlog

Social Media Links – FacebookAmazonGoodreadsBookbubPintrest

Enter the Giveaway to win a copy of Thalidomide Kid

Giveaway – Win 1 x signed copy of Thalidomide Kid

*Terms and Conditions –Please enter using the Rafflecopter box below. The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then I reserve the right to select an alternative winner. Open to all entrants aged 18 or over. Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time I will delete the data. I am not responsible for despatch or delivery of the prize.

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The Tissue Veil by Brenda Bannister #BlogTour @rararesources #Excerpt

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Today I am delighted to be sharing an extract from The Tissue Veil by Brenda Bannister as part of the Blog Tour with Rachel at Rachel’s Random Resources. As much as I would love to read all the books that I get an invite to read, there is just not enough time for me to do this. So instead, having an except is one way I can support a tour. The synopsis and the excerpt has definitely intrigued me, and intrigued me enough that I have bought my own copy 🙂

You can buy a copy of The Tissue Veil from Amazon UK or from Hive.co.uk

Synopsis:

What if you discovered a hundred-year-old diary under your floorboards – and then found references in it to yourself? Or if you lived in 1901, yet kept seeing glimpses of a girl from modern times? And what if both of you had problems that only the other could really understand? Emily and Aysha live in the same Stepney house and an inexplicable link develops between them, fuelled by Aysha’s discovery of a journal and Emily’s sightings of a ‘future ghost’. Each takes courage from the other’s predicament – after all, what’s a hundred years between friends?

Excerpt:

Excerpt from Chapter 13 of The Tissue Veil

From time to time Emily has inexplicable glimpses of a strange girl in her room and hears voices address the girl as ‘Aysha’. This first occurs in the days after Emily’s mother’s funeral. When, late one night, it happens again, she recognises that Aysha, like Emily herself, is troubled…

We tie up three puddings in muslin ready to go in the boiler, but it’s already late in the afternoon when they start to cook and we have to wait past bedtime for them to finish steaming. Daisy, who was up at six, is falling asleep, so I offer to watch them for the last hour.

“Mind you don’t let ‘em dry out, miss,” she yawns. She doesn’t trust me to keep awake, but she knows she won’t either. I don’t dare let myself sit down, so I occupy the hour lining up jars and packets in the pantry, writing lists of things we need and polishing the silver teapot. At last, I am able to turn off the boiler, remove the puddings and leave them to cool.

I’m not even thinking about Aysha, but when I go to my room I see her, slumped in a chair by the window. Her outfit is different and much grander than before: a blue tunic with matching pantaloons, embroidered in gold. They are clothes I imagine an Indian princess might wear, but she seems careless of them and looks as if, like me, she’s exhausted.

“Aysha!” I say, but she doesn’t know I exist. I study her face: she will not sleep well. Too much is written there.

She gets up, stretches, and begins to speak. Not to me or, it seems, to anyone else who’s there; rather, I imagine, out of a troubled heart. At first I think I recognise the words, then I am confused.

It’s a truth universally acknowledged that a young man in possession of a… a chain of fried chicken shops – she curls her lip – must be in need of a wife. Then her mouth twitches into a smile and she glides from side to side across the floor, swaying her arms as if she’s dancing or skating. Then, suddenly, she’s gone.

Miss Morgan showed the class a picture book of India once. There were paintings of forts and temples and elephants carrying maharajahs, and each of the illustrations was overlaid with a leaf of tissue paper. I would ask to see the book and try to remember the order in which each picture came, to guess what was underneath the overlays. The images were there, behind their tissue veils, but you couldn’t quite see them until you turned the leaf. Sometimes I think that’s how it is with Aysha: that she’s here all the time if I could only see. But which of us is behind the tissue, I cannot tell.

About the Author:

The Tissue Veil Brenda Bannister.jpgBrenda studied English at university and later qualified as a librarian, working in various educational settings from schools to higher education. Moving from London to Frome in Somerset in 2010 proved a catalyst for her own writing as she joined local fiction and script writing groups. She has had a number of short stories published, plus short plays produced in local pub theatre, but all the while was incubating a story based in the area of Tower Hamlets where she had worked for eighteen years.  This germ of a story became ‘The Tissue Veil’.

Brenda is a founder member of Frome Writers’ Collective, an organisation which has grown from a handful of members to over a hundred in the past four years, and helped set up its innovative Silver Crow Book Brand. She is also the current organiser of the annual Frome Festival Short Story Competition. A lifelong reader, Brenda rarely follows genres, but enjoys modern literary fiction, historical fiction, classics and the occasional detective novel. The latest Bernard Cornwell might be a guilty pleasure, but she’ll be even more eager to get her hands on Hilary Mantel’s final instalment of Thomas Cromwell’s story.

Social Media Links – Facebook – Website – Silver Crow Books

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